| Production accountant | Ilonka Szokola
2. Filmgeschäftsführerin | 2. Filmgeschäftsführerin |
| Production accountant | Kristov Brändli
Kinostart 24.02.2011 | Kinostart 24.02.2011 |
| Assistant production accountant | Piotr Odemski | |
| Vfx supervisor | Denis Behnke | |
| Telecine operator | Goran Mikic | |
| Digital intermediate assistant | Clemens Kindermann
Dailies, Finishing and Deliveries | Dailies, Finishing and Deliveries |
| Director of photography | Martin Langer | |
| 2nd unit dop | Patrick-D. Kaethner | |
| Camera operator | Rudi Schröder
B-Kamera; Super35 | B-Kamera; Super35 |
| Steadicam operator | Patrick-D. Kaethner | |
| 1st assistant camera | Christian Nils Dlusztus | |
| 1st assistant camera | Timothy Sedgwick
B Cam 35mm | B Cam 35mm |
| 2nd assistant camera | Kirsi Andresen | |
| Video assist/playback operator | Martin Ausmane
2nd Unit | 2nd Unit |
| Video assist/playback operator | Christoph Kühnisch | |
| Still photographer | Maria Krumwiede | |
| Costume designer | Monika Jacobs | |
| Assistant costume designer | Judith Neuroth | |
| Key costumer | Annette Bätz | |
| Costumer / wardrobe | Amparo Kuhlmann | |
| Costumer / wardrobe | Olivia Alison Vossenkuhl
Anproben&Patina Komparsen | Anproben&Patina Komparsen |
| Additional costumers | Elisabeth Kesten
3 Wochen Wolfenbüttel | 3 Wochen Wolfenbüttel |
| Tailor | Christian Kratzert
Änderungen Zusatzgarderober | Änderungen Zusatzgarderober |
| Costume design trainee | Lisa Sass | |
| Director | Sebastian Grobler | |
| 1st AD (local system) | Cecile Heisler-Zigulla | |
| 2nd AD crowd (local system) | Lynda Bartnik
Ab 15. Drehtag | Ab 15. Drehtag |
| 2nd AD crowd (local system) | Florian Schwombeck
Krank ausgeschieden, Historisch 1874 | Krank ausgeschieden, Historisch 1874 |
| Script continuity | Katrin Thiemer | |
| Script continuity | Jutta van Uffelen
2nd Unit | 2nd Unit |
| Extras coordinator | Jan Filkorn
(Kinderbetreuung) | (Kinderbetreuung) |
| Extras coordinator | Astrid Kasper
Wolfenbüttel und Braunschweig | Wolfenbüttel und Braunschweig |
| Extras coordinator | Matthew Brown
Crowd Marshall Potsdam 1+2Unit | Crowd Marshall Potsdam 1+2Unit |
| Extras coordinator | Patrick Hans
Quedlinburg | Quedlinburg |
| Assistant editor | Erik Dornblut | |
| VFX editor | Markus Hagemeier
ScanlineVFX | ScanlineVFX |
| Grip | Fabian Schrimpf | |
| Gaffer | Janosch Voss
DOP: Martin Langer | DOP: Martin Langer |
| Best boy electric | Thijs-Johannes Wagelaar | |
| Lighting technician / electrician | Marco Quandt | |
| Lighting technician / electrician | Oliver Haas
set lighting | set lighting |
| Additional electrician | Roman Hoffmann | |
| Additional electrician | Henning Blum | |
| Additional electrician | Tobias Brekle | |
| Additional electrician | Stefan Graf [1]
Bremen | Bremen |
| Additional electrician | Andreas Knäblein | |
| Lighting assistant | Stephan Große | |
| Lighting assistant | Jonathan Kaiser
Daily, | Daily, |
| Lighting assistant | Markus Große
zusatz | zusatz |
| Key makeup artist/hair stylist | Sabine Schumann
historisch | historisch |
| Makeup artist / hair stylist | Katrin Schneider
Historisch 1874 | Historisch 1874 |
| Makeup artist / hair stylist | Maike Heinlein | |
| Additional make up artist | Anna-Helen Giese
Maske für Komparsen | Maske für Komparsen |
| Additional make up artist | Andrea Fricke | |
| Additional make up artist | Karla Meirer | |
| Additional make up artist | Helmut Rühl | |
| Additional make up artist | Judith Anthony
Bartanfertigung | Bartanfertigung |
| Assistant makeup artist | Tatjana Ludwig
historisch 1874 | historisch 1874 |
| Wig maker | Julia Böhm
für Sabine Schumann | für Sabine Schumann |
| Composer | Ingo Ludwig Frenzel | |
| Arranger | Helmut Zerlett
Titelsong | Titelsong |
| Producer | Anatol Nitschke | |
| Producer | Raoul Reinert
Koproduktion mit Cuckoo Clock Ent., auch Rechtsberatung | Koproduktion mit Cuckoo Clock Ent., auch Rechtsberatung |
| Supervising producer | Gerhard von Halem | |
| Production designer | Thomas Freudenthal
period-historisch 19. Jahrhundert | period-historisch 19. Jahrhundert |
| Art director | Dominik Kremerskothen | |
| Art director | Elisa Runer | |
| Assistant art director | Tiana Carina Möller | |
| Set decorator | Daniele Drobny | |
| Art department assistant | Jule Bünsche | |
| Construction coordinator | Bernd Markmann | |
| Prop master | Moritz Heinlin | |
| Assistant to propmaster /- buyer | Tino Knoche | |
| Standby props | Maren Eich
PD:Thomas Freudenthal | PD:Thomas Freudenthal |
| Set dresser | Stefan Rohner | |
| Set dresser | Felix Ott
historisch | historisch |
| Set dresser | Christoph Merg | |
| Art department coordinator | Bettina Lessnig
+ Art Director | + Art Director |
| Assistant stand by props | Melanie Peter
,historisch | ,historisch |
| Location scout | Sven Weingand
Braunschweig & Umfeld PreProd. | Braunschweig & Umfeld PreProd. |
| Location scout | Christian Meinecke
Berlin/Niedersachsen | Berlin/Niedersachsen |
| Set builder | Thomas Bertram
und Set Dresser | und Set Dresser |
| Stand by set builder | Roman Berger | |
| Prop maker | Robert Wiesner
historische Fussbälle etc. | historische Fussbälle etc. |
| Prop maker | Stefan Rohner | |
| Graphic artist | Constanze Siedenburg
historische Requisiten | historische Requisiten |
| Property driver | Tim Zerneke | |
| Property driver | Alexander Kloppenburg | |
| Property driver | Norbert Buchmann
Set Dresser Hilfe | Set Dresser Hilfe |
| Property driver | Stefan Missfeld
Berlin - Bremen Transporte | Berlin - Bremen Transporte |
| Line producer | Christian Springer | |
| Production manager | Christian Springer | |
| Assistant production manager | Sabine Koch
Zusatz | Zusatz |
| Assistant production manager | Iris Rosendahl | |
| Unit manager (local system) | Tarik Erpinar
Regie: Sebastian Grobler | Regie: Sebastian Grobler |
| Location manager (local system) | Tobias von Schönermark | |
| Set manager/ floor manager | Jürgen Sitzer-Hoffmann | |
| Assistant set/floor manager | Andrea Bertschinger | |
| Assistant set/floor manager | Stephanie Frey | |
| Assistant set/floor manager | Maximilian Fenner
Zusatz, Betreuung 2. Unit | Zusatz, Betreuung 2. Unit |
| Blocker | Armin Hundertmark
LKW Transporte | LKW Transporte |
| Blocker | Hendrik Sapadi
2 DT | 2 DT |
| Production driver | Alexander Müller-Lenhartz
Wolfenbüttel/Quedlinburg | Wolfenbüttel/Quedlinburg |
| Production driver | Carsten Uhlig | |
| Production driver | Michael Ziegler
Daniel Brühl | Daniel Brühl |
| Production driver | Thomas Siegert | |
| Production driver | Axel Kirst | |
| Personal driver | Michael Ziegler
Daniel Brühl | Daniel Brühl |
| Set runner | Paul Baranski
2nd Unit | 2nd Unit |
| Set runner | Vicky Heienbrok
2 Tage 2.Unitdreh | 2 Tage 2.Unitdreh |
| Set runner | Benno Schoppmann | |
| Screenwriter | Philipp Roth | |
| Screenwriter | Johanna Stuttmann | |
| Idea | Sebastian Grobler | |
| Idea | Raoul Reinert
Koproduktion mit Cuckoo Clock Ent. | Koproduktion mit Cuckoo Clock Ent. |
| Production sound mixer | Maarten van de Voort
Deutscher Filmpreis 2011 Nominierung | Deutscher Filmpreis 2011 Nominierung |
| Production sound mixer | Bernhard Köpke
2nd Unit | 2nd Unit |
| Boom operator | Maj-Linn Preiß | |
| Second boom operator | Max Kober | |
| Sound re-recording mixer | Richard Borowski | |
| Sound designer | Kai Storck | |
| Supervising dialog & ADR editor | Alexander Buck | |
| Supervising sound editor | Kai Storck | |
| Foley recordist | Christoph Oertel | |
| Foley editor | Helene Seidl
additional Foley Editor | additional Foley Editor |
| Foley artist | Carsten Richter | |
| Stunt coordinator | René Lay
für Double Action Dresden | für Double Action Dresden |
| Stunt coordinator | Ronnie Paul
Double Action - Hamburg | Double Action - Hamburg |
| Stuntman/woman | Helga Wretmann | |
| Stuntman/woman | Holger Kahl | |
| Stuntman/woman | Michael Malschewski | |
| Stuntman/woman | Jörg Ellmer
Highfall - für Double Action HH | Highfall - für Double Action HH |
| Child supervisor | Stephanie Höll | |
| Dialogue coach | Christoph Zapatka
Acting Coach | Acting Coach |
