| Production accountant | Fatosh Böhme | |
| Screen designer | Armando Zeitz
On-Set Zuspielungen/Grafiken | On-Set Zuspielungen/Grafiken |
| Telecine operator | Andreas Brueckl | |
| Director of photography | Thomas Meyer
Super 16 | Super 16 |
| 1st assistant camera | Michael Siebert
2nd Unit | 2nd Unit |
| 2nd assistant camera | Tobias Rost | |
| Still photographer | Walter Wehner | |
| Director | Wolfgang ‘Jo‘ F. Henschel | |
| Script supervisor | Corinna Esterle
ink. 1 Wo. Vert. Regieassistenz am Set | ink. 1 Wo. Vert. Regieassistenz am Set |
| Grip | Heiko Halbreiter | |
| Gaffer | Jürgen Lehner | |
| Lighting technician / electrician | Alexander Schmid
Best boy | Best boy |
| Lighting technician / electrician | Manuel Windhager | |
| Lighting assistant | Gerhard Büttner | |
| Prop master | Paul Spitzkopf | |
| Assistant to propmaster /- buyer | Jakob Rennschmid | |
| Stand by set builder | Jens Westermann | |
| Production manager | Robert Müller | |
| Unit manager (local system) | Andreas Wolffhardt | |
| Assistant to production manager | Isabell Seeliger | |
| Set manager/ floor manager | Christoph Soldan | |
| Assistant set/floor manager | Felix Knoll | |
| Production driver | Peter Dierking | |
| Production driver | Bayram Sargin | |
| Production driver | Valerie Bahr | |
| Production sound mixer | Alexander von Zündt | |
| Boom operator | Peter Brücklmair | |
