| Director of photography | Lothar E. Stickelbrucks | |
| 1st assistant camera | Tobias Velten | |
| 2nd assistant camera | Alannah Sabine Sennheiser
und Fokus 2. Kamera | und Fokus 2. Kamera |
| Casting director | Sigrid Emmerich | |
| Costume designer | Angelika Huhn
historischer Film 1917- 1945 | historischer Film 1917- 1945 |
| Assistant costume designer | Mirjam Muschel | |
| Costumer / wardrobe | Karin Teske | |
| Director | Rolf von Sydow | |
| Key grip | Maximilian Daiminger | |
| Lighting technician / electrician | Tobias Speidel | |
| Makeup artist / hair stylist | Helga Sander
(historisch) | (historisch) |
| Makeup artist / hair stylist | Frauke Pira
historisch | historisch |
| Assistant to producer | Stefanie Franke | |
| Standby props | Vera Carstens | |
| Set builder | Remo Stecher
England | England |
| Set builder | Michael Reinemann
für den England-Part | für den England-Part |
| Assistant to line producer | Leila Okulski | |
| Production manager | Gabriele Reuter | |
| Unit manager (local system) | Almut Joswig | |
| Set manager/ floor manager | Daniel Pfennigstorf
England, Österreich | England, Österreich |
| Production driver | Matthias Schudde
England | England |
| Production sound mixer | Raoul Grass | |
| Boom operator | Dirk-Teo Schäfer | |
| Stuntman/woman | Holger Kriechel | |
