| Production accountant | Yvonne Kowal | |
| 1st AD | Jakub Dvorak | |
| Vfx supervisor | Denis Behnke | |
| Dailies colorist | Jan Hrabal | |
| Director of photography | Alexander Fischerkoesen | |
| 2nd unit dop | Daniel Horn | |
| Camera operator | Daniel Horn
B- Cam und splinter unit | B- Cam und splinter unit |
| 1st assistant camera | Johannes Müller
A Cam Reshoot | A Cam Reshoot |
| 2nd assistant camera | Jonas Louis Meyer
reshoot | reshoot |
| Still photographer | Sasha Ostrov | |
| Casting director | Iris Baumüller | |
| Costume designer | Simona Rybáková | |
| Director | Philip Koch | |
| Script supervisor | Alexander Knobloch | |
| Editor | Hans Horn | |
| Additional editor | Laura Wachauf | |
| Assistant editor | Felix Karte
1 month | 1 month |
| Gaffer | Stefan Peters | |
| Lighting technician / electrician | Jani Sellmann | |
| Lighting technician / electrician | Konrad von Wittich
München Reshoot 19.08 -20.08.2024 | München Reshoot 19.08 -20.08.2024 |
| Producer | Katrin Goetter | |
| Production designer | Theresia Anna Ficus | |
| Set decorator | Denise Baron | |
| Set decoration buyer | Solveigh Sprengel
Set Dec Buyer | Set Dec Buyer |
| Concept artist | Thomas Möhring | |
| Standby props | Tomas Topka Lorenc | |
| Stand by set builder | Franz Sloup | |
| Line producer | David Vogt | |
| Line production coordinator | Lisa Tretrop | |
| Production manager | Pavel Typolt | |
| Production manager | Darko Lovrinic
Shot in Prague | Shot in Prague |
| PA trainee | Morgane Freise | |
| Screenwriter | Philip Koch | |
| Intimacy coordinator | Alev Irmak | |
