©Sven Serkis
- Actress
Born 1988 in Tokio (37 Years)
Basic data
| Languages | EnglishFrenchGermanJapanese |
|---|---|
| Singing | Opera |
| Skills (dance) | BalletContemporary Dance |
| Skills (sports) | boxingkenjutsukick boxingtaek won do |
| Immediate working area | Berlin |
| Tax residence (federal state or country) | Germany - Berlin |
| Nationality | Japanese |
| Further references | "Ann Ayano, as the steward's daughter Mascha, who has a crush on Kostja, proves the contemporary relevance of the production by acting as wildly as Evelyn Wang in the Oscar-winning comedy 'Everything, Everywhere All at Once'." - Neue Zürcher Zeitung "Old forms, new forms, there is enough room for everyone, so why the hustle? A beautiful line, perhaps the most calmly wise in Chekhov's play 'The Seagull,' which would be even more beautiful if Chekhov hadn't given it to a commercially successful but disastrous poet. However, on this theater evening, Trigorin, the poet, does not get to say this line. Mascha (Ann Ayano), the eternally unhappy daughter of the steward, steals it. A small trick with great effect, turning Chekhov's sardonic grin into a smile." - Süddeutsche Zeitung "Ann Ayano wanders across the stage seemingly unintentionally, and as Mascha, she delivers great lines repeatedly." - Süddeutsche Zeitung "The steward's daughter (Ann Ayano) is, like the others, searching for grand emotions and the right life in the wrong one under the moonlight." - Tages-Anzeiger "Your feelings do not leave me indifferent, I just cannot return them,' Mascha dutifully apologizes to her admirer Medvedenko (resolutely played by Steven Sowah). She, to whom the Japanese actress Ann Ayano lends the flair of a sorrowful siren, drifts through the scenes like a dark foreboding - none of the connections formed here will last. Instead of bonds, everyone here engages in short-lived global communities for the sake of three or four laughs from the audience. For punchlines, they would sacrifice not just their own grandmother, but the entire motif of unrequited love. Here, youth primarily means avoiding any pain." - Frankfurter Allgemeine Zeitung |
Agency
Contact
Training
| Year | |
|---|---|
| 2024/8 | tori studio (jp) |
| 2024/5 | Chubbuck Studio Berlin [de] |
| 2024/2 | Larry Moss Coaching [us] |
| 2023/7 | tori studio (jp) |
| 2023/3 | Larry Moss Coaching [us] (Lary Moss Masterclass Scene Study) |
| 2022/4 | Learn-moviefighting.com (Workshop und Privat Unterricht für Movie fighting von Oliver Juhrs) |
| 2021 | Chubbuck Studio Berlin [de] |
| 2020/2 | Roth Coaching [de] (Workshop) |
| 2020/2 | Acting Choices - Schauspielcoach Tim Garde [de] |
| 2019/9 to 2021 | Studio André Bolouri - Actors Space Berlin (Meisner Training bei André Bolouri) |
| 2018/10 to 2019/8 | Studio André Bolouri - Actors Space Berlin (Meisner-Training) |
| 2018/9 to 2018/11 | Die Tankstelle | Coaching | Film - TV - Theater (Schauspielkurs) |
| 2011/4 to 2014/3 | Nihon University College of Art (Study of Acting (Bachelor)) |
Awards
| Year | Award |
|---|---|
| 2011 | Best Acting Award at the "First Asia theater School Festival" by China Central Academy of Drama |
| 2011 | ‘’Nihon University College of Art’’ Dean Award |
Movies as actress
| Year | Title | Genre |
|---|---|---|
| 2022 | The Signal | Limited series, Netflix |
| 2022 | Immortal (WT) | Short Film |
| 2022 | Was von der Liebe bleibt | Feature Film |
| 2022 | Xiaomi - Brand Introduction Video | Commercial |
| 2021 | The Strand of equilibriums | Short Film |
| 2021 | 7Liars (Webserie) | Series |
| 2020 | Hikaru | Education/Training Production |
| 2019 | Divine Comedy | Short Film |
| 2019 | Das Schwarze Haus (WT) | Teaser (Film Concept) |
| 2019 | Moshi (Webfilm) | Short Film |
| 2019 | Munich Tourism - Simply Munich. The Unbelievabowls | Corporate Film |
| 2019 | I am afraid of Memories | Showreel Production |
| 2019 | Apocatastasis | Experimental Film |
| 2018 | One hour Sence | TV-Show |
| 2011 | Nothing's Carved In Stone - Chain Reaction | Music Video |
| 2009 | Miyoko | Feature Film |
| 2009 | Muzin Eki | Short Film |
| 2007 | Yami | Short Film |
Theatre engagements
| Year | Production name | Theatre |
|---|---|---|
| 2024 | Corps extrêmes | Théâtre national de Chaillot |
| 2023 - 2024 | The Seagull | Schauspielhaus Zürich |
| 2022 - 2024 | Breasts and Eggs | Thalia Theater |
| 2020 | Le nozze di Figaro | Tokyo metropolitan Theater |
| 2019 | Der Fall Babel | SWR Schwetzinger Festspiele Rokokotheater |
| 2018 | Perséphone | Japan Philharmonic Orchestra |
| 2017 | Karate Musical Sauce! | Space zero |
| 2017 | The Portrait of Beatrice Cenci | Theater LOV |
| 2016 - 2018 | Le piège de Méduse | Kusatsu music Festival |
| 2011 - 2013 | Gesäubert | Kamome za |
| 2010 | Die Möwe | TPT |
Basic data
| Height | 170 cm |
|---|---|
| Weight | 54 kg - 119 lb. |
| Body type | slim |
| Clothing size | 36 |
| Ethnic appearance | asian (east asian), east european, mixed (white and asian) |
| Hair colour | black |
| Hair length | long |
| Eye colour | brown |
| Nationality | Japanese |
| Languages | EnglishFrenchGermanJapanese |
| Voice type | soprano |
| Singing | Opera |
| Skills (dance) | BalletContemporary Dance |
| Skills (sports) | boxingkenjutsukick boxingtaek won do |
| Special skills | Experience in movie fighting and screen combat. I am a quick learner when it comes to languages. |
| Experience abroad | Central Europe: Germany, Switzerland East Asia: Japan |
| Further references | "Ann Ayano, as the steward's daughter Mascha, who has a crush on Kostja, proves the contemporary relevance of the production by acting as wildly as Evelyn Wang in the Oscar-winning comedy 'Everything, Everywhere All at Once'." - Neue Zürcher Zeitung "Old forms, new forms, there is enough room for everyone, so why the hustle? A beautiful line, perhaps the most calmly wise in Chekhov's play 'The Seagull,' which would be even more beautiful if Chekhov hadn't given it to a commercially successful but disastrous poet. However, on this theater evening, Trigorin, the poet, does not get to say this line. Mascha (Ann Ayano), the eternally unhappy daughter of the steward, steals it. A small trick with great effect, turning Chekhov's sardonic grin into a smile." - Süddeutsche Zeitung "Ann Ayano wanders across the stage seemingly unintentionally, and as Mascha, she delivers great lines repeatedly." - Süddeutsche Zeitung "The steward's daughter (Ann Ayano) is, like the others, searching for grand emotions and the right life in the wrong one under the moonlight." - Tages-Anzeiger "Your feelings do not leave me indifferent, I just cannot return them,' Mascha dutifully apologizes to her admirer Medvedenko (resolutely played by Steven Sowah). She, to whom the Japanese actress Ann Ayano lends the flair of a sorrowful siren, drifts through the scenes like a dark foreboding - none of the connections formed here will last. Instead of bonds, everyone here engages in short-lived global communities for the sake of three or four laughs from the audience. For punchlines, they would sacrifice not just their own grandmother, but the entire motif of unrequited love. Here, youth primarily means avoiding any pain." - Frankfurter Allgemeine Zeitung |
| Immediate working area | Berlin |
| Tax residence (federal state or country) | Germany - Berlin |
| Accommodation possibilities | Berlin, Tokyo |