| Colorist | Jochen Hinrichs-Stöldt | |
| Director of photography | Fabian Beyer | |
| Additional photography | Moritz Moessinger
VFX Plates / Fahraufnahmen | VFX Plates / Fahraufnahmen |
| 1st assistant camera | Johannes Cassebaum
1 DT | 1 DT |
| 1st assistant camera | Christopher Link | |
| 2nd assistant camera | Robert Schulzmann | |
| DIT digital imaging technician | Norbert Paintinger | |
| Costume designer | Monica Siviero | |
| Director | Matthias Koßmehl | |
| 1st AD (local system) | Markus Ibrom | |
| Script continuity | Ann-Katrin Lang | |
| Script continuity | Sarah Schneidermann | |
| Key grip | Christopher Saß | |
| Grip | Florian Geitel | |
| Rigging grip | Christopher Saß | |
| Gaffer | Jan Klügel | |
| Best boy electric | Tim Reinartz | |
| Rigging gaffer | Moritz Moessinger | |
| Lighting technician / electrician | Peter Assmann | |
| Lighting technician / electrician | Benjamin Meenke | |
| Makeup artist / hair stylist | Kerstin Schmidt [1] | |
| Creative producer | Tobias Rosen | |
| Unit manager (local system) | Marit Stritz | |
| Set manager/ floor manager | Behrus Yazdanfar
(KINO) HMS | (KINO) HMS |
| Assistant set/floor manager | Rifat Cengiz | |
| Set runner | Jacky Steffens | |
| Set runner | Nicky Lolly | |
| Screenwriter | Julia Drache | |
| Production sound mixer | Michael Manzke | |
| Boom operator | Malte Hildebrandt | |
| Sound designer | Michael Manzke | |
