| Director of photography | Markus Eckert | |
| 1st assistant camera | Nikolaus von Fürstenberg | |
| 2nd assistant camera | Michael Schneider
16mm | 16mm |
| Casting director | Stefany Pohlmann | |
| Costume designer | Katharina Diebel | |
| Director | Claas Ortmann | |
| 1st AD (local system) | Jeanette Krauss | |
| Editor | Cosima Schnell | |
| Key grip | Matthias Bode | |
| Gaffer | Peter Zeitner | |
| Lighting assistant | Aron Krause-Arlt
Tageweise | Tageweise |
| Makeup artist / hair stylist | Mike Reinecke
Chefmaskenbildner Historisch | Chefmaskenbildner Historisch |
| Makeup artist / hair stylist | Nina Ohlen | |
| Assistant makeup artist | Petra Cordes | |
| Composer | Sebastian Pille | |
| Producer | Tobias Walker | |
| Producer | Philipp Worm | |
| Production designer | Jan Jericho
historisch 1929 | historisch 1929 |
| Prop master | Stefanie Zingsheim | |
| Standby props | Christina Degenhardt | |
| Set builder | Gerald Gustav
Cine-Bau | Cine-Bau |
| Set builder | Harry Bollhöfener
Cine Bau | Cine Bau |
| Set manager/ floor manager | Buddy Sebastian Schönfeld | |
| Screenwriter | Claas Ortmann | |
| Idea | Billy Wilder | |
| Production sound mixer | Ben Binski | |
| Boom operator | Stefan Rudolph | |
| Stunt coordinator | Dori Horvath | |
