| Production accountant | Michael Garnatz | |
| Colorist | Jakob Ihde
HDR + SDR @ Cine Chromatix | HDR + SDR @ Cine Chromatix |
| Director of photography | Markus Selikovsky | |
| Camera operator | Harald Mellwig
B-Camera | B-Camera |
| Steadicam operator | Markus Selikovsky | |
| 1st assistant camera | Alexander Zittner | |
| 2nd assistant camera | Kai Georgi | |
| Data wrangler / digital loader | Robert Thalheim [1] | |
| Casting director | Nina Haun | |
| Casting assistant | Laura Buschhagen | |
| Costumer / wardrobe | Iris Weber-Auvray | |
| Director | Johannes Grieser | |
| Script supervisor | Simone Rieger | |
| Assistant editor | Florian Klein [2] | |
| Dolly grip | Andreas Stiedl [1] | |
| Gaffer | Dirk Steiner-Sennheiser | |
| Best boy electric | Peter Jagemann | |
| Makeup artist / hair stylist | Markus Hollinger | |
| Producer | Simon Müller-Elmau | |
| Delegate producer | Vanessa Richter | |
| Production designer | Michael Fechner | |
| Standby props | Irene Otterpohl | |
| Graphic artist | Uwe Koch
Requisiten- und Ausstattungsgrafik | Requisiten- und Ausstattungsgrafik |
| Location manager (local system) | Herman Rohner | |
| Set manager/ floor manager | Bia Leu | |
| Assistant set/floor manager | Deniz Pasaoglu | |
| Production driver | Sascha Hübner | |
| Production driver | Carlos Faria | |
| Production driver | Steven Madloch
Cast&Produktionsfahrer | Cast&Produktionsfahrer |
| PA intern | Fabian Zepezauer | |
| Screenwriter | Timo Berndt | |
| Production sound mixer | Karsten Paarmann | |
| Boom operator | Alexander von Lengerken | |
| Second boom operator | Trang Nham | |
| Sound re-recording mixer | Clemens Grulich | |
| Stunt coordinator | René Lay
für Stuntteam M. Mohr | für Stuntteam M. Mohr |
