| Production accountant | Carmen Looker | |
| Post production supervisor | Michaela Krauß | |
| Director of photography | Stefan Ditner | |
| 1st assistant camera | Florian Partikel | |
| 2nd assistant camera | Sebastian Neubert
Alexa Mini & Zeiss Standard | Alexa Mini & Zeiss Standard |
| Data wrangler / digital loader | Jurij Tschabanow | |
| Casting director | Phillis Dayanir | |
| Casting assistant | Tania Barbosa
Dayanir & Hellwig Casting | Dayanir & Hellwig Casting |
| Costume designer | Mechthild Baumsteiger (Freyburger) | |
| Assistant costume designer | Sylvia Thiele | |
| Costumer / wardrobe | Christina Isabell Molitor | |
| Director | Karola Meeder | |
| 1st AD (local system) | Adelheid Bimmel | |
| Script continuity | Britta Butzmühlen | |
| Editor | Manuela Kempf | |
| Key grip | Ulrich Faßbender | |
| Grip | Mark Ebbage | |
| Gaffer | Burhan Dag | |
| Lighting technician / electrician | Tim Deane | |
| Lighting technician / electrician | Lion Futh | |
| Makeup artist / hair stylist | Anja Mohr | |
| Makeup artist / hair stylist | Steffi Baumann | |
| Composer | Andreas Weidinger | |
| Producer | Annette Pisacane | |
| Executive producer | Michael Smeaton | |
| Producer | Elvira Bolz
An almost perfect Woman | An almost perfect Woman |
| Assistant-/ junior-producer | Nina Pourlak | |
| Production designer | Katie Lee | |
| Line producer | Beate Balser | |
| Production coordinator | Sabine Heinroth
England (Cornwall) | England (Cornwall) |
| Unit manager (local system) | Gundula Dietrich | |
| Screenwriter | Uschi Müller | |
| Literary source | Rosamunde Pilcher
Short story 'Palmers Green' | Short story 'Palmers Green' |
| Production sound mixer | Rupert Medele | |
| Boom operator | Hannes Marget | |
| Sound re-recording mixer | Michael Gerlach | |
| Sound designer | Jochen Fenzl | |
| Foley recordist | Antje Reichmann | |
| Commissioning editor | Verena von Heereman | |
| Commissioning editor | Andrea Klingenschmitt | |
