| Colorist | Henning Sancken
Fo 92-94 | Fo 92-94 |
| Director of photography | Maximilian Lips
3x30 | 3x30 |
| Steadicam operator | Florian Klos | |
| 1st assistant camera | Bernd 'Bernsen' Schmidt
B-Cam | B-Cam |
| 1st assistant camera | Finn Kölln | |
| 2nd assistant camera | Carolin Wessel | |
| Still photographer | Nicolas Maack | |
| Assistant costume designer | Conny Frei | |
| Assistant costume designer | Friederike zu Dohna | |
| Director | Matthias Koßmehl | |
| 1st AD (local system) | Matthias Meyer-Hanno
3 Folgen | 3 Folgen |
| Script continuity | Jessica Berger | |
| Editor | Andreas Nicolai | |
| Key grip | Claas Rieckhoff | |
| Grip | Manuel Schlegel | |
| Lighting technician / electrician | Tom Wolframm | |
| Lighting technician / electrician | Björn Bohlens | |
| Lighting assistant | Miguel Ibáñez Fonseca | |
| Makeup artist / hair stylist | Mary Bauhaus | |
| Makeup artist / hair stylist | Karsten Drews | |
| Assistant production designer | Susanne Franzke | |
| Prop master | Tim Meisner | |
| Standby props | Jan Meybek | |
| Property driver | Jean Berger | |
| Production manager | Heiko Becker | |
| Assistant production manager | Ulrike Lanz | |
| Unit manager (local system) | Antonia Molter
+ Motiv AL | + Motiv AL |
| Set manager/ floor manager | Michael von Wolfframsdorff | |
| Assistant set/floor manager | Patrick Gläsel | |
| Production driver | Jörg Pakusch
Brix | Brix |
| Set runner | Lars Möller | |
| Screenwriter | Norbert Eberlein | |
| Production sound mixer | Andreas Kluge | |
| Boom operator | Max Kober | |
| Special effects supervisor | Rasmus Hirthe
für Skodock SFX | für Skodock SFX |
