| Production accountant | Jutta A. Groß-Holler | |
| Director of photography | Peter Steuger
*historical-1918 | *historical-1918 |
| Camera operator | Daniel Horn
B-Kamera 10 Tage | B-Kamera 10 Tage |
| 1st assistant camera | Gökhan Balseven
a-cam | a-cam |
| 1st assistant camera | Yannic Schwerdtfeger
B-Kamera 2 Tage | B-Kamera 2 Tage |
| 2nd assistant camera | Marcus Allemann | |
| DIT digital imaging technician | Achim Schwald | |
| Casting director | Anja Dihrberg-Siebler | |
| Costume designer | Tanja Gierich
4 Wochen Vorbereitung, 1918 | 4 Wochen Vorbereitung, 1918 |
| Costume designer | Dorota Budna
1918 | 1918 |
| Costume designer | Filiz Ertas
historisch 1918, Hauptcast, Uniformen | historisch 1918, Hauptcast, Uniformen |
| Assistant costume designer | Christiane Hoyer
2 Wochen, historisch 1918 | 2 Wochen, historisch 1918 |
| Costumer / wardrobe | Astrid Hildebrand
/ 1918 | / 1918 |
| Costume interpreter | Christian Kratzert
Kostüme S.Melles | Kostüme S.Melles |
| Additional costumers | Sylka Schädlich
historisch | historisch |
| Director | Christoph Röhl | |
| 1st AD (local system) | Sven Kämmerer
historisch 1918 | historisch 1918 |
| Script continuity | Jessica Jacqmarcq | |
| Extras coordinator | Rebecca Scharlach | |
| Editor | Julia Oehring | |
| Assistant editor | Florian Klein [2] | |
| Key grip | Sandro Große
10 DT | 10 DT |
| Key grip | Daniel Horn | |
| Grip | Sandro Große | |
| Gaffer | Klaus Bieling | |
| Best boy electric | Ralf Prokopp | |
| Lighting technician / electrician | Flow Jean-Louis | |
| Key makeup artist/hair stylist | Stefanie Gredig
historisch 1918 | historisch 1918 |
| Makeup artist / hair stylist | Yvonne Joseph
Maskenbildnerin / Historisch | Maskenbildnerin / Historisch |
| Additional make up artist | Sandra Stockmeier
Historisch | Historisch |
| Additional make up artist | Lena Brendle
Hist. 1918 | Hist. 1918 |
| Wig maker | Sandra Jethon | |
| Composer | Ali N. Askin | |
| Producer | M. Walid Nakschbandi | |
| Producer | Johanna Behre | |
| Assistant-/ junior-producer | David Nienhold | |
| Production designer | Sylvester Koziolek | |
| Art director | Dragan Denda | |
| Standby props | Kay Schilling | |
| Property assistant | Lars Philippen | |
| Graphic artist | Dalia Salamah | |
| Line producer | André Kotte | |
| Production manager | André Kotte
historisch 1918 | historisch 1918 |
| Assistant production manager | Susanne Doerry | |
| Unit manager (local system) | Balthasar Busmann | |
| Production driver | Sam Vester | |
| Screenwriter | Lothar Machtan | |
| Screenwriter | Dirk Kämper | |
| Production sound mixer | Oliver Göbel
Vertretung | Vertretung |
| Production sound mixer | Till Röllinghoff | |
| Boom operator | Oliver Schnug | |
| Sound re-recording mixer | Nico Berthold | |
| Sound designer | Felix Andriessens
zusammen mit Tatjana Jakob | zusammen mit Tatjana Jakob |
| Commissioning editor | Annette von der Heyde | |
| Commissioning editor | Stefan Brauburger | |
| On air designer | Konstantin Gramalla | |
