| Title designer | Robert Mayer
Gesamte Titelsequenz | Gesamte Titelsequenz |
| Colorist | Marcel Tieste | |
| Director of photography | Adrian Campean | |
| 2nd assistant camera | Karl Kürten
+ Data Wrangling / B-Cam Focus | + Data Wrangling / B-Cam Focus |
| DIT digital imaging technician | Holger Jungnickel
2 DT / RED Epic + Scarlet | 2 DT / RED Epic + Scarlet |
| Casting director | Kathrin Küntzel-Sedler | |
| Costume designer | Stefanie Hamann | |
| Assistant costume designer | Simone Grünwald | |
| Costumer / wardrobe | Eva Maria Simon | |
| Director | Helena Hufnagel | |
| 1st AD (local system) | Simon Aschenbrenner
Nachdreh VFX Shot | Nachdreh VFX Shot |
| 1st AD (local system) | Anna-Katharina Maier | |
| Editor | Helena Hufnagel | |
| Editor | Adrian Campean | |
| Trailer editor | Emil Rosenberger | |
| Key makeup artist/hair stylist | Carolin Gechter | |
| Makeup artist / hair stylist | Madeleine Magnus | |
| Makeup artist / hair stylist | Alisza Pfeifer
Maskenbildnerin | Maskenbildnerin |
| Producer | Benedikt Weber [1] | |
| Producer | Isabelle Bertolone | |
| Production designer | Laura Grüner | |
| Production designer | Fryderyk Swierczynski | |
| Standby props | Hella Stichlmair
Dreh München | Dreh München |
| Line producer | Anna Katharina Brehm
HFF München | HFF München |
| Set manager/ floor manager | Max Dario Albrecht | |
| Set runner | Felicia 'Fee' Huber | |
| Set runner | Elena Schmidt | |
| Screenwriter | Sina Flammang | |
| Literary source | Stephen King | |
| Boom operator | Steffen Flach
Drehblock Gernrode | Drehblock Gernrode |
| Sound designer | Jörg Elsner
+ Dialog Editing | + Dialog Editing |
