| Production accountant | Jürgen Jansen | |
| Colorist | Mathias Lilie | |
| 1st assistant camera | Sharon Siemund
Arri Alexa/Scarlet | Arri Alexa/Scarlet |
| 2nd assistant camera | Gil Ribeiro
/ Data Wrangler | / Data Wrangler |
| Still photographer | Thomas Kost | |
| Casting director | Marc Schötteldreier | |
| Costumer / wardrobe | Kathrin Haeseler | |
| Costumer / wardrobe | Sandra Bormann | |
| Director | Michael Schneider [1] | |
| 1st AD (local system) | Henrike Stockhausen | |
| Script supervisor | Silke Christina Engler | |
| Trainee director's department | Paula Jungklaus | |
| Editor | Jörg Kroschel | |
| Assistant editor | Victor Rosario | |
| Key grip | Hans Staples | |
| Grip | Brendan Uffelmann | |
| Gaffer | Marco Schöps | |
| Best boy electric | Alexander Kreis | |
| Lighting technician / electrician | Frank May | |
| Makeup artist / hair stylist | Heide Haß | |
| Assistant-/ junior-producer | Tobias Leveringhaus | |
| Production designer | Frank Prümmer | |
| Assistant production designer | Barbara Hartwich | |
| Prop master | Peter Bolewski | |
| Standby props | Sabine Pankow | |
| Set builder | Olaf Beckert | |
| Property driver | Michael Krauß | |
| Art department trainee | Ruben Böttinger | |
| Line producer | Michael Hahn | |
| Assistant to line producer | Wencke Neumann | |
| Production manager | Simone Reucher | |
| Production coordinator | Margret Höher | |
| Unit manager (local system) | Jörg Henning | |
| Location manager (local system) | Friedegard-Nelly Schunk | |
| Set manager/ floor manager | Colin Bennett | |
| Assistant set/floor manager | Annika Langner | |
| Production driver | Markus Eberhardt | |
| Production driver | Marcus Koszczol | |
| Set runner | Maximilian Köhler | |
| Screenwriter | Ecki Ziedrich | |
| Production sound mixer | Hubertus Müll | |
| Sound re-recording mixer | Gerald Cronauer | |
| Foley editor | Tobias Vukadinovic | |
| Commissioning editor | Martin R. Neumann | |
