| 1st AD | Tamás Lukács | |
| Key 2nd AD | Réka Belsö | |
| Floor 2nd AD | Attila Pluhár | |
| 3rd AD | Gábor Csépai | |
| AD PA | Henriette Barth | |
| VFX Producer | Christopher Lenke | |
| VR Producer | Jan Schneider [2] | |
| Postproduction Supervisor | Rebekka Garrido | |
| Post-Produktionskoordinatorin | Jasmin Saunders
Post Production | Post Production |
| VFX Supervisor | Frank Kaminski
mit Lampion VFX, Budapest | mit Lampion VFX, Budapest |
| VFX Supervisor | Philip Nauck | |
| Concept Artist (VFX) | Lars Künstler | |
| VFX Production Coordinator | Christine Resch
Netflix Studio VFX Coordinator, EMEA | Netflix Studio VFX Coordinator, EMEA |
| Colorist | Nico Hauter | |
| DI Digital Intermediate Supervisor | Sebastian Hermann
Rotor Film | Rotor Film |
| Casting Director | Simone Bär | |
| Showrunner | Oliver Ziegenbalg | |
| Showrunner | Robert Thalheim | |
| Drehbuchautor | Oliver Ziegenbalg | |
| Co-Autor | Robert Thalheim | |
| Hörfilmautor | Detlef Tomschke | |
| Archive Producerin | Monika Preischl | |
| Archiv Recherche | Mona El-Bira | |
| Filmgeschäftsführerin | Yvonne Kowal | |
| Kameramann/DoP | Henner Besuch | |
| Kamera-Drohnen Operator | Fabio Spitzenberg | |
| 1. Kameraassistent | Maximilian Günther
Berlin Shoot | Berlin Shoot |
| 2. Kameraassistent | Nagy Krisztián
Daily 2nd Ac. | Daily 2nd Ac. |
| DIT Digital Imaging Technician | Clemens Wolfart
Dailies Color Grading | Dailies Color Grading |
| Rear Projection Plates Operator | Thomas Matysiak
Projektmanager | Projektmanager |
| Rear Projection Plates Operator | Tobias Sieben
Plate Operator | Plate Operator |
| Rear Projection Plates Operator | Felix Maul
Plate Operator | Plate Operator |
| Rear Projection Plates Operator | Ben Immel
Plate Assistant | Plate Assistant |
| Kamera-Drohnen Pilot | Florian Felix Reeh
Luftaufnahmen // [FlyHigh] | Luftaufnahmen // [FlyHigh] |
| Kostümbildnerin | Ingken Benesch | |
| Kostümbildassistent | David Werer | |
| Oberbeleuchter | Florian Geiss
Nachdreh Berlin | Nachdreh Berlin |
| Chefmaskenbildnerin | Nica Faas | |
| SFX Maskenbildnerin | Anna Kießer | |
| Komponist | Anton Feist | |
| Komponist | Uwe Bossenz | |
| Musik Supervisor | Milena Fessmann | |
| Produzent | Andreas Banz | |
| Producerin | Annie Schilling | |
| Szenenbildnerin | Myrna Wolff | |
| Set Decorator (Ausstatter) | Ole Kloss
Set Dec & Props Supervisor | Set Dec & Props Supervisor |
| Concept Artist | Jan Schneider [2] | |
| Außenrequisiteur | Mathias Hohm
technical props | technical props |
| Konstruktionszeichner | Frank Herzog
Set Design, 3D Visualisierung, Konstruktionszeichnung | Set Design, 3D Visualisierung, Konstruktionszeichnung |
| Konstruktionszeichner | Fabian Reber
Set Design, 3D Visualisierung, Konstruktionszeichnung | Set Design, 3D Visualisierung, Konstruktionszeichnung |
| Graphic Artist | David Löwe | |
| Graphic Artist | Stefan Hollekamp
Computer Programmierung/Design background graphics art movies | Computer Programmierung/Design background graphics art movies |
| Herstellungsleiter (Line Producer) | Stephan Barth
Budapest / Berlin /Spain | Budapest / Berlin /Spain |
| Regisseur | Robert Thalheim | |
| Script Supervisor | Leonie Röll | |
| Filmeditorin | Anja Siemens | |
| Filmeditor | Stefan Kobe | |
| Schnittassistent | Matthias Albrecht | |
| Schnittassistent | Ascanius Böttger
additional editor E02 & E04 | additional editor E02 & E04 |
| Schnittassistent | Timothy Ware | |
| Schnittassistentin | Zoe Dahmen | |
| Sound Designerin | Charlotte Lewis
Spot FX | Spot FX |
| Sound Editor | Immo Trümpelmann
Dialogedit, ADR Supervising, ADR Schnitt (Team mit Lajos Wienkamp-Marques) | Dialogedit, ADR Supervising, ADR Schnitt (Team mit Lajos Wienkamp-Marques) |
