| VFX Supervisor | Alex Lemke | |
| VFX Technical Director | Michael Grobe | 3D Lead Artist, On-Set Consulting |
| 3D Artist | Alex Schott | VFX Artist @ ARRI |
| 3D Artist | Michael Grobe | Lead Artist, On-Set Consulting |
| Kamerafrau/DoP | Dixie Schmiedle | |
| Motion Control Operator | Mitch Enzmann | |
| 1. Kameraassistentin | Katharina Nobis | |
| Videooperator | Korkut Akir | |
| Lichtpult Operator | Beda Mulzer | ARRI-Studio |
| Beleuchter | Matthias 'Mattes' Boch | Vorbau, Zusatz |
| Beleuchter | Tobias Speidel | |
| Licht Praktikant | Namche Okon | |
| Komponist | Philipp Fabian Kölmel | |
| Executive Producer | Clarens Grollmann | |
| Setrequisiteur (bisher Innenrequisiteur) | Markus Bungert | |
| Propdesigner | Tim Ketzer | Waffen, Scanner, ID Cards, Geld |
| Herstellungsleiter (Line Producer) | Clarens Grollmann | |
| Produktionsleiter | Clarens Grollmann | |
| Postproduction Supervisor | Clarens Grollmann | |
| Produktionsassistent | Francois Michel Croissant | |
| Setaufnahmeleiter | Felix Foehr | |
| Regisseur | Michael Pohl | |
| 1. Regieassistent | Paul J. Milbers | |
| Script Supervisor (Continuity) | Sabine Utz | |
| Editor | Uli Schön | |
| SFX Spezialeffekte Supervisor | Christian Bibi Bierling | |
| Filmtonmeister | Thorsten Bolzé | |
