© Moving Image Centre Auckland, Bad Sheep Films
Kurzdokumentarfilm | 2011 | Doku, Kunst | Neuseeland
Hauptdaten
Drehdaten
| Drehtage | 2 |
|---|---|
| Drehorte | Auckland |
Projektdaten
| Lauflänge | 15 |
|---|---|
| Seitenverhältnis | 16:9 (1 : 1,78) |
| Bildnegativmaterial | HDCAM |
| Bildpositivmaterial | HD |
| Tonformat | Stereo |
Kurzinhalt
MIC Toi Rerehiko presents two multimedia installations Reading the Body (2009) and The Door, the Chair, the Bed and the Stair (2010), plus a selection of dance films (2003-10) by Sue Healey. These works will be on display at MIC Gallery, from 15 October – 11 December.
“Without a doubt, Sue Healey is one of the most innovative and prolific Australian independent dance makers of the last twenty years…this work (The Door, the Chair, the Bed and the Stair) is exciting, thought-provoking and poetic.” Martin del Amo, Ausdance Journal Summer edition 2009.
“Sue Healey is a masterful filmmaker, choreographer and performance-maker”. Pauline Manley, Realtime Issue 94, 2009.
“An intricate, engrossing multimedia dance experience.” Keith Gallasch Realtime Issue 81, 2007.
“A most fluent integration of dance, art and cinema…offers a revelation which only cinema could give us, as well as finely balanced beauty and an articulate and sensitive dance”. Karen Pearlman, Realtime Issue 97, 2010.
“Without a doubt, Sue Healey is one of the most innovative and prolific Australian independent dance makers of the last twenty years…this work (The Door, the Chair, the Bed and the Stair) is exciting, thought-provoking and poetic.” Martin del Amo, Ausdance Journal Summer edition 2009.
“Sue Healey is a masterful filmmaker, choreographer and performance-maker”. Pauline Manley, Realtime Issue 94, 2009.
“An intricate, engrossing multimedia dance experience.” Keith Gallasch Realtime Issue 81, 2007.
“A most fluent integration of dance, art and cinema…offers a revelation which only cinema could give us, as well as finely balanced beauty and an articulate and sensitive dance”. Karen Pearlman, Realtime Issue 97, 2010.