©Onyx Films
Kinospielfilm | 2004 | Animation | Frankreich, Luxemburg, Vereinigtes Königreich
Hauptdaten
| Regie | Christian Volckmann |
|---|---|
| Drehbuch | Mathieu Delaporte, Alexandre de la Patellière, Patrick Raynal, Jean-Bernard Pouy, Mathieu Delaporte (Literarische Vorlage), Alexandre de la Patellière (Literarische Vorlage) |
| Produktion | Onyx Films [fr], Backup Films [fr], France 2 Cinéma [fr] (Koproduktion), LuxAnimation [lu] (Koproduktion), Millimages [fr], Timefirm Ltd [uk] (Koproduktion) |
| Verleih/Vertrieb | Pathé [fr] |
Projektdaten
| Lauflänge | 95 min |
|---|
Kurzinhalt
2054. In a labyrinthine Paris, where each act and event is controlled and filmed, Ilona Tasuiev, a young scientist envied by all for her beauty and intelligence, is kidnapped. Avalon, the company she works for, puts the pressure on Karas, a controversial cop and kidnapping specialist, to find its employee asap.
Karas quickly gets the feeling that he’s not the only person on Ilona’s tail, and that his rivals will do anything to overtake him.
Finding Ilona becomes a vital matter: the young woman is at stake in a covert war way beyond anything she imagines. She’s the key to an agreement implicating the future of mankind – the Renaissance Agreement.
Karas quickly gets the feeling that he’s not the only person on Ilona’s tail, and that his rivals will do anything to overtake him.
Finding Ilona becomes a vital matter: the young woman is at stake in a covert war way beyond anything she imagines. She’s the key to an agreement implicating the future of mankind – the Renaissance Agreement.